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When I first tested Samsung’s KS7000, the all-important game mode wasn’t available when viewing HDR footage, instead limiting the display to movie mode and a whopping 117ms input latency – and that was a huge shame. Samsung’s display technology is excellent, its HDR implementation has much to commend it, and in many other respects both the KS7000 and its closest US rival. This one. Equally, the KS8000 is best in class in the mid-market sector. Well, the good news is that Game Mode is now available with HDR via a recent firmware update, meaning you get all the benefits of Samsung’s technology with a class-leading 23ms lag, whether you’re in HDR or View mode. standard material.
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Our experience suggests that there are still some random firmware bugs that are being worked out – such as HDR sometimes showing as SDR. And the user has to manually adjust various settings when using game mode in combination with HDR to display the format correctly, which makes the setup more difficult than it needs to be (something I talked about in a video below). But in terms of price versus performance, the KS7000 is now ahead of our previous mid-ranger – the Panasonic DX750.
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Issues aside, the KS7000 is a gorgeous 4K display that provides an attractive entry point for a quality HDR experience. In fact, for the money, you get excellent performance with low input lag, no other manufacturer can match their 2016 ranges when displaying HDR. As expected, there are a few caveats at the sub-£1000 price point, but these are things that apply to most mid-range TVs and can only be avoided by spending a lot more money on a high-end flagship display. .
Here is a brief description of the KS7000 specifications. Low input lag, deep black levels, high peak brightness and a wide color gamut are the main selling points. The TV is UHD Premium certified, which means it meets the standards required to achieve accurate HDR playback.
First impressions reveal a sleek minimalist design with a super-thin bezel and a glossy panel. The two-piece stand attaches easily and matches the design of the frame, although with both legs located towards the edge of the display, it can be difficult to fit the KS7000 on many AV racks. The materials also feel solid to the touch, though on closer inspection it’s clear that the build quality could be better. For example, the back of the panel is glued to the front frame, instead of the pieces being bolted together. This can lead to some separation between the two and leave a small gap (something that is starting to happen on our review model). It’s not something we’d expect to find on a mid-range display, and the problem is that the KS8000 costs a lot more.
Panel uniformity is also a bit mixed on our camera, with the left side being noticeably brighter, especially when watching HDR content – as the ramped backlighting makes these issues easier to spot. However, the problem is not noticeable when SDR content is displayed due to the low light output. It’s worth noting that panel uniformity is random and not indicative of the TV’s performance over multiple sets, so your mileage may vary.
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In terms of connections, most of the inputs are located on the One Connect box – a breakout hub with 4x HDMI, 2x USB 2.0 and 2x RF inputs, along with an optical output. There are no SCART, component or composite AV connectors to be found, so adapters are required to connect legacy sources.
When we move to the back of the TV itself, we have inputs for the One Connect box, USB (only the one) and LAN for connecting the TV to the Internet via Ethernet. We really like what Samsung has done here as it allows us to hide all the cables behind an AV rack rather than hanging off the sides of the TV. This also makes it easy to add and remove devices from the set if it is wall mounted. It would be nice to have some extra HDMI inputs on your TV, but for the most part the One Connect box is a good all-rounder.
Here’s a full breakdown of Samsung’s 2016 range of settings, with recommendations on which options you should use to get the best picture for gaming.
After a basic setup, Game mode delivers a decent image with good color accuracy, although whites have a cyan tint that gives the image a cooler look. Movie mode is more balanced in this regard, and if you don’t calibrate your display, this is the best preset for watching movies and TV shows. However, when gaming, it’s arguable that you don’t necessarily need completely accurate visuals to get an enjoyable experience, and for most people, the game mode provides a suitably natural image after a few basic tweaks (our settings video above up covered you there).
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That said, Game mode calibrates to a high standard, with the KS7000 delivering a natural image without any noticeable inaccuracies – a clearly visible improvement when playing games and watching movies in the normal dynamic range. Performance here is also bolstered by deep black levels (0.03 nits @ 114 nits of brightness) and solid motion handling for an LCD. While motion resolution is limited to around 350 lines, there’s less ghosting compared to the Panasonic DX750 and Samsung’s own KU6400. Smudge is reduced and as such there is more clarity for moving images compared to other 4K HD TVs we’ve tested so far.
Motion clarity can also be improved in movie mode by inserting and interpolating black frames – the former producing more plasma-like motion, albeit at the expense of introducing visible flicker. However, due to the large input lag in this mode, we cannot recommend using this feature during gaming.
On the other hand, viewing angles suffer from image washout when viewing off-axis – a common trait of VA panels. So, to get the most accurate picture, you need to see the front display, otherwise the images lack depth and color saturation. Unfortunately, this is a necessary trade-off to enjoy deep black levels and high contrast on an LCD display. You’ll need to go for an OLED to get wide viewing angles while maintaining deep black levels.
Whether we’re playing games or watching UHD Blu-rays, the KS7000 delivers impressive 4K images with plenty of depth and detail in both light and dark areas. Samsung’s PR agency sent us the 49-inch model for review, and as such the details on the KS7000 aren’t quite as plentiful as on the larger 58-inch Panasonic DX750, although gaming is still a definite upgrade in clarity and resolution. A similarly sized 1080p screen. Titles like ReCore and Forza Horizon 3 really shine on this display when running at 60fps on a high-end PC, with decent motion handling and balanced visuals that make for a very immersive experience. Likewise, PS4 Pro titles like The Last Of Us Remastered look great.
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The good news is that accurate visuals don’t have to be sacrificed to enjoy a virtually lag-free experience when using game mode. Here, the input lag is around 23ms in normal and high dynamic range modes, resulting in a crisp controller response where we simply can’t detect any lag during gameplay. Button presses and turns on analog sticks feel instantaneous, making the KS7000 ideal for fast-paced games that require crisp controller response.
It’s great to see such a low level of input lag and performance is also available when playing HDR content. HDR presentation on the KS7000 is excellent given the limitations of a TV with an edge-lit panel. There’s plenty of punch to the bright lights, with the display’s ability to maintain 1000 nits of brightness while accurately displaying up to 4000 nits of information (via tone mapping), providing a naturally detailed experience you can’t you’ll find it on entry-level 4K TVs. Dark scenes also turn in a solid show thanks to the panel’s ability to deliver deep black levels while retaining plenty of shadow detail. The company’s backlight reduction solution works well here with night and dark scenes with decent black levels.
There are limitations with an edge-lit solution, but the KS7000 generally does a very good job of controlling the amount of haloing and light pumping that’s typically present in dynamic backlight displays. The KS7000 uses a pseudo local dimming implementation consisting of 10 vertical columns, at least half of which are always on. This helps reduce blooming and allows for more precision than the basic global tuning would allow. That said, in demanding mixed-image scenes,
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