Update A Good Starter Camera Review – A buying guide for… Best Video Cameras for Beginners Want to get started as a content creator? Find the camera features you need and our picks for the best video cameras for beginners
When choosing the best entry-level video camera, you need to find an option that is affordable and offers some of the features and specifications you need to get started in your creative endeavors. While you don’t need specs like 4K video capability to begin with, you may find that you need features like a foldable screen or an input for an external microphone.
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If you plan to start vlogging, the LCD screen folds or rotates so you can see yourself in the frame while shooting, which is very useful. Likewise, the input for an external microphone ensures that you record better quality audio. The built-in microphones on most cameras are adequate in quiet rooms, but can pick up on ambient noise and sometimes sound a little too loud. If you want to go that route, check out our guide to the best cameras.
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What other features are important when choosing the best video cameras for beginners? Of course, sensor size matters. But you don’t need a full-frame sensor to get started, and even some of the best content creators shoot with crop-sensor cameras. A camera with an ABS-C or Micro Four Thirds sensor will give you the best balance of image quality and affordability. Check out our guides on the best APS-C cameras and the best Micro Four Thirds cameras for more information.
Video quality is also an issue. We said at the beginning that you don’t need 4K video capability to get started. Posting HD video on YouTube is perfectly acceptable. However, with the ubiquity of 4K, you can pick up some of the best 4K cameras for video for less than a few years ago. If you’re more experienced, the ability to record in 4K lets you crop your footage while editing and output detailed Full HD video. For this reason, many professional videographers are excited about the 8K capabilities of cameras like the Canon EOS R5 and Nikon Z9.
Another consideration, if your budget allows, is to choose one of the growing number of cameras with IBIS, i.e. in-body image stabilization. IPS typically gives you up to five stops of shutter speed compensation, making it easy to hold the camera while shooting.
A few years ago, the answer to that question was the DSLR. But the rise of mirrorless cameras, their compact design, better AF settings and — in some cases — in-body image stabilization mean mirrorless cameras are great entry-level video cameras. All of the options on our list below are mirrorless cameras.
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Below is our selection of the best video cameras for beginners based on our testing experience. You’ll find links to our full reviews for each camera. If you have a more specific need, the following video-based guides will also help you.
For an in-depth look at the different camera types and available features, check out our camera buying guides.
Panasonic designed the Lumix G100 as an entry-level walking camera, but it’s also a good camera for entry-level photographers and anyone who wants to go a step further than their phone or point-and-shoot when shooting video.
The G100 features a 20.3-megapixel four-thirds type CMOS sensor and a micro four-thirds lens mount. In addition to a pivoting screen that lets vloggers see themselves in front of the camera, the G100 has a built-in electronic viewfinder, which is good news for photography.
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In addition to a 3.5mm jack for connecting an external microphone, the G100 features a spatial audio recording system from Nokia called OZO Audio. It uses three internal microphones and can work with facial recognition to track the person speaking and optimize the audio for them. It works well when there is no wind.
There are also some features for experienced videographers, including V-Log L, perfect for post-processing editing of low-contrast, low-saturation footage.
As far as controls go, the Panasonic G100 is fairly straightforward. There isn’t an overwhelming selection of buttons and dials, but you have quick access to the most important functions and there are two dials for exposure control.
The autofocus system isn’t as fast and precise as the phase-detection AF or hybrid systems on most other mirrorless cameras, and while Eye AF isn’t 100% reliable, the G100 tends to get the subject sharp.
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The only physical upgrade the X-T30 makes over the Fuji X-T30 is the move to a 1.62M-dot screen on the rear instead of a 1.04M-dot unit.
Updates are the result of firmware and algorithm improvements. For example, the X-T30 II features improved autofocus algorithms from the X-T4, meaning it’s faster and has improved low-light sensitivity – down to -7.0EV paired with the XF50mm F1.0 lens. Face/eye detection is more reliable, but still only useful when photographing people.
Fujifilm has also given the X-T30 II two additional film simulation modes: Classic Neck and Eterna Bleach Bypass. In addition, there are controls for adjusting clarity, tone curve and monochrome, while Auto White Balance can be set to White Priority and Ambient Priority, and there’s a Color Chrome FX Blue option to emphasize blue subjects.
Another useful improvement is that the X-T30 II can record 4K video continuously for up to 30 minutes, compared to the X-T30’s 20 minutes.
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The Canon EOS M50 Mark II is a relatively modest update to one of Canon’s most popular mirrorless cameras. Inside is the same 24MP APS-C sized sensor paired with the same Digic 8 processing engine.
Like its predecessor, the Canon EOS M50 Mark II can record 4K video at up to 24p, but an additional 1.5x crop is used in the frame and the autofocus system is based on contrast detection. Switch to Full HD or still image capture, and the phase detection system enabled by the dual-pixel sensor design kicks into action.
Key improvements to the Mark II include eye tracking in both photo and video modes, vertical video recording, and the ability to stream live video to YouTube via a smartphone hotspot.
The Nikon Z6 and Z7 are great, but not all photographers want a full-frame camera. The Nikon Z50 offers this alternative for Nikon users looking for a mirrorless camera, and thanks to its sturdy construction and wide range of functions, it has a lot to offer even for experienced photographers.
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Its autofocus system is excellent and is capable of capturing fast-moving subjects crisply even in dim lighting conditions. Another good news is that the Z50 has both subject-tracking and eye AF modes. Eye AF is a must have these days and is very useful for portrait and social event photography.
Subject tracking works in Auto Area AF mode and is useful for erratically moving subjects. Pressing the OK button in Auto Area AF mode activates a tracking point visible on the screen and in the viewfinder.
Place this box over the title and press the OK button again to start tracking. If the subject moves, the Z50 tracks them in the frame and makes sure they stay sharp in continuous AF mode.
Inside the Nikon Z50 is a new 20.88-megapixel APS-C sized sensor and an Expede 6 processing engine. All this together allows for a native photo sensitivity range of ISO 100-51,200 with extendable settings up to ISO 204,800. Meanwhile the video range is ISO 100-25,600.
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Thanks to the Speed 6 processing engine, the Z50 can shoot up to 11 frames per second with continuous autofocus and metering. This rate is achieved in Continuous High Plus mode, while the maximum rate in Continuous High mode is 5 fps.
The Nikon Z50 also offers excellent video, 4K at 30 frames per second and Full HD at various frame rates.
In the past, most vlogging was done on a phone, but Sony wanted to change the game plans of thousands of content creators by introducing the ZV-1, a compact camera designed for vloggers.
Many of the Sony ZV-1’s specs are familiar from the Sony RX100 compact cameras, but there are some notable differences that make it great for vlogging.
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Inside the Sony ZV-1 is a 1-inch stacked Exmor RS CMOS sensor with 20.1 million effective pixels. This is a relatively large sensor for a small camera and has a huge impact on image quality. In addition, the Exmor RS CMOS sensor offers focus level detection, which is typically faster and more meaningful than contrast detection. The ZV-1 has a total of 315 phase-detection AF points for use in both still and video modes.
As for video, the ZV-1 is capable of capturing 4K footage and exposure
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