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Best Canon Dslr Camera For Sports Photography
For years my camera recommendations page has been recommending the best cameras for general use, but what are your recommendations for the best cameras for what you want to do?
Canon Vs Nikon
A good photographer can do anything with any camera. Here are my tips on the best ways to shoot different assignments.
These are the best and cheapest cameras that are almost equally good, so don’t worry if what I recommend is above your budget.
If you’re on a tight budget, splurge on lenses. Unlike cameras, a good camera will last a decade or more of the cameras you will use in the future. When you can squeeze the pen, jump on the camera and spend what you need on the lens.
Of course there are many solutions to any problem. This is the best way to do everything my 40 years of continuous shooting has taught me. I have been shooting since I was a child and I never stop learning.
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I shot Nikon for four years, but now Canon is better in most things. Unfortunately, Nikon hasn’t really changed its cameras since 2007, while Canon continues to push the envelope with frame rates and anti-flash with the aforementioned 7D Mk II. Nikon customer support (800 NIKON-UX) is terrible, Canon’s 100% US support (800 OK-CANON) is still good.
These sections are done in order, so it’s a good idea to read this page when you have time to let one idea flow into another.
Click on the links or photos to get detailed reviews and links to the best places for each of them.
The new $6,000 Canon 1DX Mark II is the best sports camera ever. Over 70% of the stills on the field at Superbowl 51 in January 2017 were Canon 1DX Mk II.
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It’s full frame, requiring an expensive full-frame ultra-telephoto camera lens that can easily run 14 frames per second every day, which is essential for capturing action.
The Sony A9 is also a fantastic sports camera, with a higher frame rate and ultra-fast autofocus, Sony has made the camera you need.
The Canon 7D Mark II is the best camera in the world, and it doesn’t cost $6,000 like the Canon 1DX Mark II because the 7D Mk II is faster and includes 10 frames per second autofocus and exposure. The sensor makes better use of long lenses. You don’t need a long lens to get the same shots as the 7D Mk II.
The new Nikon D500 is as fast as the 7D Mk II, but costs more ($2,000 vs. $1,500), and has the usual Nikon shortcomings. If you’re already into the Nikon system, then the D500 is Nikon’s best sports camera by far at $6,500.
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Aspect ratio is very important for great sports photos. At 10 frames per second (FPS), the 7D Mk II and D500 can shoot twice as well as other consumer cameras that only run at 5 FPS.
Mercury vapor, fluorine, and metal-semiluminescent lighting are all used in outdoor stadiums at night, and in gymnasiums and pool houses that flash twice as often. Although it’s very fast for our eyes to see, when you shoot sports at high speed, the light will always glow (flicker) or worse, disappear in some different colors . The fluorescent lights are so green and so amazing that they alternate 60 times a second!
When shooting at the shutter speeds we use for games, we often get black or colorless frames. Why is this?
If you shoot full-time for “Sports Pictures,” you do it by setting up your own radio-controlled strobe system in the stadium. Large venues that can’t carry fancy public cameras usually use special high frequency ballasts and lights for this, but if you’re shooting anything other than the Super Bowl, your local school or city hall will use regular flashing lights.
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The 1DX Mk II, 7D Mark II, and D500 are the only cameras in the world (along with the slower Canon 5DS, T6s, and T6i) that have this flash sync feature. – Lightning instead of dark darkness.
It’s easy. Nothing comes close to the 1DX Mk II, 7D Mark II and D500 for sports photography. Even the $6,500 Nikon D5 and other cameras can’t shoot with flash.
Used cameras like Nikon D3, Nikon D3s, Nikon D4, Nikon D4s and Canon 1DX are also good for sports without flash, but the new 7D Mark II or D500 is still better.
The new Canon 100-400mm IS L II sets a new standard in zoom lenses. It replaces the popular 70-200mm f/2.8 lens.
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It beats the new 100-400 because it focuses faster than any telephoto lens, it gets closer than any other 70-200 so it can replace your macro lens, and best of all the it zooms up to 400mm without bothering with a telephoto.
F/2.8 is necessary for shooting in low light, and f/4.5-5.6 is not enough for shooting sports.
Don’t let its price scare you. Unlike a digital camera that you replace in a few years with the next big thing, a masterpiece lens like this lasts for decades. I still use Canon lenses that are over 30 years old! Yes, it’s expensive, but get it now and it will still be Canon’s most modern model in 2025. A lens is a better long-term purchase than a camera. Get the lenses you want without worrying about the price.
For sports, this lens is a must. The poor guy often pays twice because he ends up buying what he wants instead of buying it first, but if you want a cheap camera, get the EF-S 55-250mm IS STM. It’s cheaper, and works well with the cropped sensor of the 7D Mk II.
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Another advantage of this camera is that it covers the entire frame. Other good professional lens options for the budget 7D Mk II are the original 80-200mm f/2.8 L or the 70-200mm f/4 L IS.
Avoid the 70-200mm f/2.8 zoom. This camera beats them all. You don’t need f/2.8 for digital, but you’ll love the faster autofocus, focus, and longer zoom range of this lens.
If you shoot Nikon and need a new camera, upgrade to Canon and get the 7D Mk II and 100-400. If you insist, the Nikon 80-400 is decent, but not as good as the new Canon 100-400, which is more expensive. This is another reason why since 2017 I can’t get Nikon to upgrade without going deeper.
Do not use a telephoto lens with a 70-200 lens. Get the zoom up to 400 and you’ll be happier without bothering with converters.
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For sports we are fast and hard. Image stabilization only works when the subject is holding, so IS is not needed.
So, we used the Canon 16-35mm f/2.8 L III. It’s twice as tough and twice as sensitive to light as the Canon 16-35mm IS L, allowing us to freeze the action better.
For Nikon, their latest solid, fast, wide-angle lens is the 1999 17-35mm f/2.8 AF-S. This is the best for Nikon, but less than this new Canon lens.
The Canon Canon 5DS and Canon 5DS R are the best landscape cameras with unmatched image quality, portability, ease of use and speed.
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They are the only consumer cameras that weigh 50 megapixels, and they also stand out in terms of battery life, handling, ergonomics and, of course, color, light and shade.
The 5DS and 5DS R have the same camera. The 5DS R costs $200. I own both. There is no noticeable difference in their image (I have tested them), but maybe no one wants to buy a cheap 5DS if they try to sell it in a few years, so I bet the 5DS R will sell.
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