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On its 20th anniversary, FL Studio is a powerful and inspiring application – and a welcome addition to the Mac empire!
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It debuted as FruityLoops, as its name is often spoken, and inspired by Apple’s favorite reincarnation app. Propellerhead Loop Sequencer-turned-DAW And the facts of EDM, however, despite undoubtedly having many fans, in the past FL Studio was only about the PC.
All of that changed with FL Studio 20 (which is actually version 13, confusingly, but named the software’s 20th anniversary). The headline feature here is the Mac native 64-bit version, which means FL Studio can now be used. on OS X/MacOS without any hard work. happily Licenses are shared between the Mac and PC versions.
Imageline already offers free lifetime upgrades to all FL Studio users. This means that all existing software users will automatically be upgraded to version 20 on both platforms. With that in mind – and some great new features. Which we’ll talk about later – Version 20 is perfect for current users. And what about the newcomers? In 2018, is the DAW formerly known as FruityLoops still enough to lure Mac users into joining?
Coming to FL Studio for the first time from another DAW can be a bit of a confusing experience. Although the application has come a long way since its early days as a basic loop sequencer – it can easily counteract rival DAWs on the feature front – it still shows its roots in the layout. Output and Workflow While most mainstream DAWs see users working in a single timeline or workspace, FL Studio divides creative, mixing, and editing tasks into independent areas. Each section has its own UI window.
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The main layout area is called the Playlist, which is used to organize audio, MIDI, and automation samples built into channel shelves. The latter is also used for selecting instruments and plug-ins. and for routing the audio to the mixer Each instrument in the rack has its own simple X0X-style sequencer. This can be expanded into a pop-out piano roll for more complex sequencing tasks.
FL Studio 20 is available in four different versions: Fruit, Producer, Signature and All Plugins Bundle. The Producer and Signature editions cost €189 and €289 respectively – both have full audio capabilities. But the latter comes with a wider selection of plugins. including things like pitch and time modifiers Finally, the entire plug-in pack costs €826 and comes with all Imageline tools and effects, including Drum Machine and Harmer, Morphine and Toxic Biohazard, all of which are excellent. Even now it’s a bit on the old A side. There are also many plugin tools available for individual purchase.
The audio from the channel rack is then sent to the mixer. Each track completes its own channel strip by plugging it in for effects processing. Oddly enough, track mixers in FL Studio are not linked to tracks. only in playlist It only connects to instrument routing coming from channel racks. likewise Examples are not limited to the use of only one instrument in the shelf. But multiple elements can be arranged in a clip. As a result, it is possible to think of arranging, creating, and mixing them as independent workflow elements.
This fragmented approach to creativity has advantages and disadvantages. First, it means that there is a lot going on in the FL Studio interface. Fortunately, objects are very flexible. Therefore, individual window elements can be hidden as needed. The DAW received a major visual upgrade for version 12, switching to vector graphics throughout. And the ability to easily resize Windows is much better. We have to admit that we still find FL Studio’s large, pop-up interface a bit overwhelming.
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From a workflow perspective It can prove inspiring in some situations. It is no coincidence that FL Studio is popular with hip-hop and dance music producers. focus on form Serves as a basic element for arrangement. Suitable for genres that emphasize loops, builds and stops, this promotes a workflow that focuses on grooves and riffs rather than long recordings.
There are certain elements of the workflow that those used to competing DAWs may find complicated. Reloading windows is necessary for bulk sorting and editing tasks, for example instead of editing within a timeline. There is also a heavy emphasis on toolbars and menus. Therefore, those who are not proficient in keyboard shortcuts might find it a bit slow to get started with customization and editing.
Beyond the workplace, FL Studio is a fully equipped DAW. The selection of included effect plug-ins is excellent. Highlights include Convolver, Convolution, Reverb, and a selection of delay tools. New users will find a lot to like in great layouts and MIDI creations such as inspiring riffs. and a clean graph editor. This is a welcome return to this version that has been removed from FL Studio 12, although it only has a few features from the comprehensive list.
What’s new? Most of the title properties for version 20 are located in the playlist section of the software. The feature here is to add multiple settings. This allows each project to have an unlimited number of alternative versions of the playlist. which users can use as a skate pad or create different patterns in the current track. This is really a nice feature. That makes it easy to experiment with settings without worrying about corrupting existing combinations. Copying existing compositions is easy. And you can also collect multiple arrangements. template to bring your favorite elements together in one playlist area.
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The Mac version of FL Studio is 64-bit only and requires OS 10.11 or later, which isn’t ideal for older Macs, but it’s a reasonable compromise at this point. In terms of stability, FL works fine on the mid-2015 MacBook Pro. Mine, although we noticed some playback errors when changing the plugin’s preset. Setup and registration is easy on Mac. FL supports VST and AU plug-in formats and we had no issues with third-party tools or effects.
There are some elements of FL Studio that have not migrated to the Mac version at the time of writing. Mac users cannot load FL Studio 20 as a VST client on third-party hosts. Unlike Windows systems lacking support, Rewire Image-Line says the former is working. Many plugins are currently unavailable. Some, such as the FL Studio Mobile plugin, work on Dashboard and Blood Overdrive; Other older devices like Fruity LSD or WASP won’t jump at all. Some other Imageline plug-ins are available in FL Studio on Mac, but not as standalone VSTs yet. For details of what’s available/not available, visit bit.ly/image-line_comp.
In this respect, flexible integration capabilities are another highlight of this version. This gives the user many options to place an instrument or sample into a single audio loop. There is an option to download full playlist tracks. Choosing from playlists or individual samples from the shelf.
There are other tweaks to the playlist as well. For one thing, the number of available tracks has been increased in this version from the rather extensive 199 to a maximum of 500 tracks, to help keep the tracks clutter-free. You can now hide track groups.
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FL Studio also offers visual and audio visualization when saving to a playlist. at the recording front When recording in loop mode, multiple takes are automatically copied and grouped into new tracks. which works to track various patterns
Multiple signature options for individual playlists and samples is another welcome new feature. Allows users to add a marker to the playlist that starts changing the time signature. You can also adjust the time signature for each sample. and even change the time of the middle sample using the piano roll. Formats can be set to follow the time changes marked in the playlist.
While there aren’t many new sounds or effects, there are some plug-in updates, such as Fruity Reeverb 2, which gets a speed control to clean up the noise, and Convolver, which adds 2 presets that help. It’s a linear phase EQ with lots of minor tweaks and quality improvements.
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