Pc For Gaming Streaming And Video Editing – No wonder so many people are looking for the perfect tool for their video editing needs. A dedicated and optimized video editing computer can save you time, a lot of frustration and, in the long run,
The great thing about video editing is that it has become so affordable, you can now edit videos on a laptop as well.
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In the old days, the only way you could edit your analog video was by using cutting tools that were too big and heavy and incredibly expensive.
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You don’t need to go to an expensive film school, for most editing jobs you can just teach yourself, buy a video editing PC and you’re good to go.
It doesn’t matter if you’re editing your birthday video, a documentary for a local wildlife broadcaster, a commercial for that company’s washing machine or a Hollywood feature film.
The same can be applied to video editing software. It doesn’t matter if you use Windows Movie Maker, Magix Vegas, Avid, Adobe Premiere Pro, Davinci Resolve or any other video editing application out there.
And I’ll tell you this right now: the best computers for video editing aren’t that expensive anymore.
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Not for professionals – because they make their money from it, and a great computer is worth every penny – and not for video editing amateurs, because you don’t need a computer on which you can edit smartphone videos, expensive ones.
If we want to build the best computer for video editing, the first step is to analyze what hardware your video editing software uses the most and how.
Now, there are a lot of different video editing apps out there, but I’ll focus on one for now:
Adobe Premiere Pro. As we can see from the above analysis, Premiere Pro is the most popular video editing software, which many professionals and amateurs edit and it is suitable for our analysis.
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Let’s see how I edit video in Premiere Pro myself, and we can go from there and take a closer look at what these steps mean, in terms of hardware.
This is a very rough workflow of the basic steps a video editor goes through during a typical day, nothing less.
If you think about it, video editing from a basic hardware perspective is something that can be broken down into a few basic steps:
These 6 simple steps are what we need to do our best to make our best video editing computer.
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Let’s go through them one by one to see how much hardware is responsible for making each of these faster:
This one is simple: your storage device and transfer bus are responsible for the speed at which your images can be read from central storage.
A hard disk drive is the slowest of the three options. Sequential read speeds are typically around 150Mbyte/s. Random read and write is very slow.
Hard drives are great for storing and backing up large amounts of data that don’t need to be accessed all the time, but I wouldn’t recommend using an HDD as a functional storage device for your photos.
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Good HDDs can usually be found from Seagate or Western Digital, such as the Seagate Barracuda series or the Western Digital Blue or Red series.
You can find HDDs in sizes up to 18TB, although the best price/GByte mark is somewhere around 8TB.
Solid state drives (SATA) are typically about 4 times faster than HDDs and make reading your movies much faster. SSDs are not that expensive anymore and the prices are coming down fast.
The Samsung 870 QVO or EVO, which comes in sizes from 256GB to 4TB at a reasonable price, is a good SSD with high performance.
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Video footage can be quite large, so you want a storage medium that has the highest sequential read and write speeds you can get at a reasonable price, and that brings us to NVMe SSDs:
An NVMe SSD (Non-Volatile Memory Express) solid state drive is an SSD on steroids. They use a separate connector and bus on the main board and can reach much higher transfer speeds than standard SATA SSDs.
They can be up to 10 times faster than SSDs at serial read and write speeds and make reading large footage a breeze.
Good NVMe SSDs that I can recommend are the Seagate FireCuda 530 and the Samsung 980 PRO, which come in sizes from 250GB to 4 TB.
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Let’s start by adding the Seagate FireCuda 530 to our best computer for video editing. This way we can already export the storage medium as a bottle.
NVMe drives are an important performance factor in video editing and it makes sense to learn as much as you can about them. Our NVMe guide should tell you.
Now, reading data alone is usually not enough to be able to see pictures, since almost all pictures are encoded in some way. If it is encoded (especially to save space) it must be encoded before it can be played back and viewed.
Decoding is something that is usually done by the processor (CPU). Unfortunately, there is no single CPU that is best for all picture “codecs” or video file types.
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. Of course, playing back the footage only gets us halfway there. We want to apply some effects to our photos!
Effects are calculated in hierarchical order and most cannot be outsourced to other cores, meaning that one core will push all the numbers for an effect on the same frame.
It seems like a very basic situation. The thing is, you cannot have 4 cores calculate these 4 effects at the same time on the same frame because they are all dependent on each other.
You need to reset your timing before you can edit brightness/contrast etc. This is a core stepping hierarchically through a series of effects.
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Sure, other cores can start working on effects from other frames, but some effects don’t just depend on each other per frame, but on different frames.
Intel i9 12900K with 5.3GHz Turbo Boost clock, AMD Ryzen 5950X (4.9GHz boost), or AMD Ryzen 5900X with 4.8GHz boost clock are good choices here.
But of course, you have to pay attention to the type of footage you’re using: if you’re using high-end RED footage, you should use a high-core-count CPU for the best decoding experience.
If you have both red footage (or similar) and heavy use of effects, you need to find a middle ground:
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A moderately high clocked CPU with many cores such as the Threadripper 3960X. For non-RED users, the AMD Ryzen 5950X is currently the go-to CPU for video editing.
It is actually quite unrealistic. Because CPUs must stay within certain thermal and power limits, there is no single CPU that has too many cores and too high a core clock. This will, of course, be better for video editing and many other workloads, but we need to find the best middle ground for us here.
Now that we’ve got the CPU to decode our image calculations and effects, the next step in our editing experience is usually:
As soon as you play back your timeline, scratch your timeline, or manually press the “Calculate or predict effects in timeline” button, the software will:
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. All cached frames are saved in your computer’s RAM, so the next time you want to view a frame or sequence, the software doesn’t have to calculate everything—again, but it can read the already calculated result from RAM, which is very is fast. .
When you play back your timeline, the video editing software will, in a sense, “buffer” forward, so you don’t interrupt your real-time playback experience.
The RAM is so fast, you can get the worst kind of RAM and it will still be fast enough for almost any of your editing needs.
. As we discussed above, RAM must be large enough to store cached output and then some.
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If it’s not big enough, the software will cache your disk, which will slow things down a lot!
These 3 steps – reading, accounting, investing – will be done repeatedly during video editing sessions.
When you’re done editing or want to show the current status to a client or boss, you continue to the next step:
Render your timeline using the same steps we’ve already discussed above. Your software reads the footage, applies effects, and stores the resulting frames into a video file.
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If the timeline is already cached, all video editing software has to do is read the cached frames from RAM and save them to the video file.
Usually you don’t just dump your calculated frames onto your disk uncompressed but you want to pack and encode/compress the frames that:
There are many different codecs available for encoding. The most popular are H.264, H.265, WMV9, ProRes, DNxHD, Sorenson, Cinepak, and many more.
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