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Fuji Raw File Converter Review
On Thursday (26FEB), Fuji will release a new version of its free Silkypix-based RAW file converter for Windows and Mac OS. It does not differ from the previous version, with one exception: RFC EX 2 supports the original cast of Fujifilm Provia, Velvia, Astia, Chrome Classic, Pro Neg. Hi, Pro Neg. Std, Monochrome, Monochrome+ Yellow filter, Monochrome+ Red filter, Monochrome+Green filter and Sepia. Those simulations will only be available in RFC EX 2 which is also available in camera. So if your camera doesn’t support Chrome Classic, RAW File Converter EX 2 won’t work when you process RAW files from that camera.
Fujifilm X Pro 2: In Camera Raw Conversion
Once the RFC EX 2 version is released, you can get your free download here. Initially, the software will support Fuji film emulation for X-T1, X100T, X-A2, X30 and XQ2 cameras. Movie streaming support for older X models will be available later this year via a free update.
Right now, we don’t know if the current commercial version of Silkypix 6 will be updated to support Fuji film streaming. I really hope so, because Silkypix 6 is better than RAW File Converter EX 2, which is also based on an older release of Silkypix (probably version 4).
Compared to the previous version of RFC EX, sharpening and noise reduction algorithms have been developed. However, there is no Retina display support for Mac OS users.
Three weeks ago, I had the opportunity to preview the beta version of RFC EX 2. Since the version version 2 remains unchanged, I focused on the new film mode and compared several JPEG samples still from the camera. with their movie simulation features in RFC EX 2. I also compared images recorded with different range settings (DR100%, DR200% and DR400%), and see the differences in projection and exposure.
Improving Fuji Raw File Processing In Lightroom
Both images are correctly converted without additional adjustments. Click here or on one of the images to browse the full gallery gallery for easy and direct comparison.
At first glance, RFC EX 2 does a great job in SOOC JPEG image quality reproduction. This makes RFC EX 2 an essential tool for those looking for a free PC/Mac converter with 16-bit TIFF output and Fuji film emulation support.
Again, the conversions from the camera converter and the RFC EX 2 are not the same, but they are certainly close. Even the color cut in the highlights is similar.
There are some differences in saturation and tonality, and in this case, I prefer the version of RFC EX 2. If you click on any of the images, the Flickr image will show you more DR100% examples that show small differences between feedback results. -on-camera (SOOC) and RFC EX 2 outputs.
Raw Photo Editing Explained I Capture One
It is important to know that to compare the built-in RAW converter with RFC EX 2, you must use the camera correction settings for HIGHLIGHT TONE and SHADOW TONE. You also have to make sure that all converters use the same color space (either sRGB or Adobe RGB). My samples are converted in sRGB, which is the best color space for general use and online viewing.
A major issue with Silkypix/RFC EX is recovering large objects. So let’s take a look at the Provia DR100% sample with dry data in SOOC JPEG. How does RFC EX 2 handle this file?
Obviously the popular assumption that RAW data provides stronger compression than the camera’s JPEG engine is not used here. In fact, heaven has RFC EX 2 versions
What about active fire recovery? After all, RFC EX and Silkypix have liquid restoration tiles that, at least in theory, should be able to restore the desired objects from the data in the RAW file. However, Silkypix/RFC is not good at doing this. Here are the results of RFC EX 2 with manual brightness enhancement:
Popular Fujifilm Raw Converter Iridient X Transformer Adds X T100 Support
For comparison, this is how the highlights in this image can be restored in Adobe Lightroom, also using Provia’s film simulation settings:
Use Silkypix or RAW Conversion Manager EX. Use another converter, such as Adobe Lightroom/ACR, Iridient Developer or Photo Ninja.
The camera’s in-camera RAW conversion (aka JPEG engine) automatically captures DR200% audio maps and DR400% images, and Silkypix/RFC emulates this feature by pushing one (DR200%) or two (DR400%) RAW data stops later. use a stop or two of extra light. In theory, this should produce similar results to JPEG cameras shot with DR200% or DR400%.
How closely RFC EX 2 matches a camera’s JPEG depends on the specific image. In other words: your journey may be different.
Compressing Raw Files With Rawsie
Here, the RFC EX 2 version and the image from the built-in RAW converter look similar, with the restored elements (red). Yes, there are differences, but it can be worse. For example, adjusting a SOOC JPEG would be very difficult in Adobe Lightroom.
Additionally, both versions are similar, although the shooting features are slightly darker than the RFC version. To show more details of the shadows in RFC EX 2, you can adjust the size, brightness and precision of the slides.
Using the DR function to achieve high key is one of its many applications. In the example above, we can see that the RFC EX version is still slightly darker than the SOOC JPEG, but the biggest difference is the yellow/orange hue in the flowers. With its default settings, RFC EX 2’s advanced recovery function makes these colors look more orange than the camera’s built-in JPEG engine. However, RFC EX allows us to adjust many parameters in the Brightness control palette. In this particular case, I’ve raised the Saturation/Hue slider from its old position of Zero to about 40. This puts more emphasis on the neutral hue and less on the overall saturation of the color:
The improved version from RFC EX 2 is more compatible with SOOC JPEG. However, there are times where the differences between the camera’s JPEG sound map and RFC EX 2 are more apparent. Let’s take a look at this DR400% product:
Fujifilm X Raw Studio Review
Again, the RFC EX 2 version of this shot is darker in the shadows, and there is also a difference in the light. However, we can adjust some of the Highlight palette. In the version below, I moved Chroma/Luminance from 0 to 35, and Saturation/Hue from 0 to 45:
It’s still not perfect, but maybe a little closer to the SOOC JPEG definition. I also looked at how the RFC EX 2 handles filming with RAWs from the X30. Along with the X20, XQ1 and XQ2, the X30 uses a different sensor with a different color response. That’s why cameras featuring Fuji’s 2/3-inch sensor cannot use the color profiles designed for Fuji’s current APS-C cameras. Let’s see:
Since these tests were performed with the beta version of RFC EX 2, it is possible (yet unlikely) that the release version will give different results. For those looking for free PC-based RAW software that can automatically compare the look of your camera’s film cast, RFC EX 2 is worth a try.
Rico Pfirstinger studied communication and has been working as a journalist, reporter, and photographer since the mid-80s. He has written many books on various topics such as Adobe PageMaker and sled dogs, and made a beautiful photo book of it’s called Huskies in Action (German version). He spent time working as a department head with Germany’s Burda-Publishing Company and became editor-in-chief of a winter sports website. After eight years as a freelance film critic and sports writer in Los Angeles, Rico now lives in Germany and devotes his time to digital photography and small camera systems. His new book Fujifilm X-E2: Beyond the Manual is available at Rocky Nook.
Raw Converter Update
“Fujifilm X-E2: Beyond the Manual” “Fujifilm X-T1 – 111 X-Pert Tips” Fuji X SecretsRAW ConverterRAW File Converter EXReviewX-PERT CORNERA a few years ago Fujifilm released free image editing software for its users. called Fujifilm X RAW Studio.
Now I know what you’re thinking, camera editing software applications are always great, why should I waste my time with this?
Because this is different. This software is basically an extension of your camera’s JPG engine and all processing is done by your camera. So it’s not really a photo editing app, rather it’s an extension to manage, manipulate, and write different JPG formats on your camera for RAW source images.
The advantage is that it is much faster to adjust and experiment with techniques with this software than to activate your menus in the camera. You can also write and save a bunch of profiles that you can upload or download from your camera if needed. – By the way, you set these and cycle through them quickly through your Q menu. If you’ve ever wondered, that’s what controls these C1 – C7 in the Q list.
Fujifilm Gfx100 Review: Landscape Photography Field Test
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