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Canon Dslr Lens For Video
YouTube and video marketing are exploding right now, along with podcasts, and one of the reasons is that people are getting impatient with the excessive use of smartphones. This is why video and audio become a great medium to engage and communicate with your audience.
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In our previous guide to vlogging cameras for those looking to start their YouTube channel, we shared why the Canon 70D is now the best and most professional camera for vloggers.
The reason for such popularity is the continuous autofocus function, which is not found in other digital SLR cameras. Now we know that a digital SLR camera is incomplete without a good lens, and we’ve received many emails asking about the best lenses for DSLR video shooting.
In this post, we’ll share the best lenses for Canon, Nikon, Sony, and Panasonic DSLR video, whether you’re shooting for interviews, documentaries, tech, or fashion YouTube channels.
Before making recommendations on the best DSLR lens for video, you should know that there are different types of lenses and that they have different focal ranges and apertures. We recommend fixed, standard, telephoto, wide-angle, and fisheye lenses below because they are used by most videographers and are more than adequate for shooting videos in a variety of styles and angles.
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If this is your first time, make sure you buy a lens with built-in image stabilization marked “IS”; This helps you take steady shots that look unprofessional without any shaky movements.
Note: All of the lenses below are under $1000 as they are tested lenses. Sure, there are high-end lenses like the “L” series with great glass, but do you really need to spend $2,000 or more on a lens?
For us, storytelling is the most important aspect of any video. Understand and practice angles as a video producer and become better at shooting, editing, creating better videos and telling stories with a stronger narrative.
A prime lens should be in your arsenal, and our first recommendation is the best prime lens for video. A prime lens has a fixed focal length, so you don’t need to zoom in, but you get a sharper image, so it’s also better for portrait photography, but this model can be used, so it’s made for video. Blurred focus followed by focus.
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It has an ideal focal length for a prime lens and a click-to-open aperture for more aperture control. It has a maximum aperture of f1.5 and a wide field of view, making it an ideal prime lens for product reviews, especially for technical YouTube channels. You can use it with a separate mount from recommended Canon DSLRs or cameras such as Nikon, Sony or Panasonic.
The Rokinon is definitely not the cheapest prime lens out there, but there are other options from Canon as they have three 50mm lenses and they are.
We recommend the former, the cheapest of the bunch, but with the highest build quality, which is a great deal for the price you pay.
Thanks to the shallow depth of field, you can get incredibly sharp images with great bokeh and great low light.
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Compared to the previous model, the new 1.8 STM has a stepper motor, which means it can focus on near-silent subjects and continuous autofocus for video. It doesn’t have image stabilization, so be sure to use a rig or tripod when shooting product reviews.
The Sigma 17-50mm is the perfect handheld lens, with a great zoom range and fixed aperture with Image Stabilization you can get some great shots with this beast.
Build quality is excellent; The glass has a multi-layer coating that reduces glare and glare, which is essential when shooting outdoors.
You can use this for out-of-home products for your tech channel. It’s a much cheaper alternative to Canon or Nikon and you can use it on Canon, Nikon, Sony or Pentax DSLRs to get the same results for less.
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If you’re a Canon user and want a pure experience, you’ll only want Canon lenses. The Canon EF-S 17-55m f/2.8 is the same lens as mentioned above. It has the same focal range, aperture, and image stabilization, making it a great interview camera.
Compared to a standard 18-55mm kit lens, this lens has a very sharp image and excellent low-light performance. Even when zooming, you don’t lose light, so you don’t need to adjust ISO or brightness, and you get better image quality even when zooming.
F/2.8 is a very decent aperture ratio that gives professional videographers great blurry images. The f/2.8 aperture is as stable as the Sigma, and the autofocus is almost silent, as you don’t want the camera to pick up unwanted noise.
The Sigma 18-35mm f/1.8 is also known as a Youtubers technical lens, used and recommended by influencers like MKBHD. Everyone has been talking about this new Sigma lens since its launch due to its amazing sharpness, wide angles and overall good performance.
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It has a very good focal range and constant aperture, which provides excellent performance in low light and blurred backgrounds with perfect focus on the subject.
It’s definitely the most expensive on this list, but if you could choose one from this list, we’d recommend the Sigma. It comes with several mounts so you can use it with Canon, Nikon, Sony crop sensor cameras.
If you’re shooting a documentary, you don’t know when or where your subject will move, you need a stable telephoto lens to cover long distances and get a sharp subject and a blurred background that will give your video a cinematic look.
The best thing about this lens is that it is an “L” glass lens that has great quality for cinema and documentaries. Can be used on full-frame and APS-C cameras. It has a very fast autofocus that is very quiet.
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Overall, this is the best telephoto lens we recommend for shooting video and you need to capture moving subjects or distant subjects. Once you get used to this lens, you’ll find it offers real value for money.
We are sure that you have decided which lens to buy, both for the main lens and for the interview. But if you want to make your video even better, you should try Rokinon’s Cinema Lens. These lenses are designed to create cinematic effects, as this particular model is 14 times cheaper than the Canon, so we recommend it as it’s great value.
The cine lens has an open diaphragm, that is, it is manually adjustable. It has gears on the side of the lens for use with other accessories that allow videographers to focus using soft dials attached to the lens.
Everything is done by hand on this cine lens, which takes a lot of practice. You can’t use it for run-n-gun as it takes some time to set up properly.
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Build quality with very smooth focus and an aperture ring, you can get this beast for under $300, which is great for videographers looking to use these pro lenses and accessories. Like other DSLR lenses from Sigma and Rokinon, you can use it with DSLRs from Canon, Nikon, Sony and more.
Canon recently released this lens, which immediately made it to our list of recommended wide-angle lenses. It’s an STM lens, which means zero focus noise on hybrid AF cameras like the 70D. It has image stabilization, so you can take great wide-angle shots even handheld.
This wide-angle lens is capable of taking great time-lapse shots, and is a great option for those looking for affordable wide-angle lenses from manufacturers.
Even though it’s made of plastic from the grid to the lens mount, it delivers great results for the price, so we recommend keeping it in your camera bag.
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The maximum aperture is up to f/4.5, which means it’s not great in low-light conditions, and if you’re looking for something that will give you great low-light shots.
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