Update Ultra Hd Films Review – Will is a self-respecting warrior, but financially at the end of his journey. He really needs a quarter of a million dollars to take care of his sick wife, but using the health insurance board is slowly making him lose faith in everything. When he meets his brother Danny, who has been involved in crime all his life, he offers a lot more. 32 million dollars lying in the bank waiting to be taken. Danny needs Will’s help, but he has to make a decision quickly because his work is already underway. Did Will have a choice? No, he didn’t. But it actually comes as it should: things go horribly wrong and the police across the city come out after the inadequate brothers. When the two are locked up, they hijack an ambulance – including a paramedic and a badly injured police officer…
There are times when a new Michael Bay movie becomes an event. Lots of pre-announcements, anticipation from fans of events and record previews at movie theaters. And this is not a myth, but a fact. But now, unfortunately, the director (or rather the film) must be accused of having magical qualities. Because fairy tales begin with the sentence: “.
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” on. Even with Transformers V you could see signs of box office failure – and that was long before the global pandemic. For his latest film 6 Underground, the director turned to Netflix – he says the sound is bad. because he is frustrated with working with big film studios, and the red N made easy money without payment. However, this tour was also a flop. Since nothing came of the franchise that was planned around Ryan Reynolds’ killer team. Apparently, Bay was very upset. during the epidemic this and before he could finish his next big movie, he wanted something short and fast.
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Gave it. Bay had abandoned him then. Now, it seems appropriate for his plan to banish loneliness from isolation. With a small budget of $40 million, he made Ambulance in 38 days and was filmed exclusively in Los Angeles. However, the worldwide box office of just over 50 million dollars (with reasonable marketing expenses) was not satisfactory to the stakeholders. Perhaps that’s why the decision was made to push the films into the VoD and home cinema markets so quickly.
Surprisingly, it is not an Ambulance quality. You don’t have to be an art house fan to know that Michael Bay’s films offer little depth. Personal depth has never been the director’s forte, nor has directing work reached the level of dramatic meta-level dialogue. Baywatchers can only criticize Ambulance because it’s not over the top CGI, but it’s a refreshing movie that doesn’t burn an entire city (or more) to waste. Of course, many of the characters’ scenes can be combined into a cohesive film that ultimately moves forward very strongly. But hey, we’re not talking about Nolan here, we’re talking about Bay. So sometimes you have to leave the village church. And thankfully it’s not as absurd as Emmerich’s Mondfall was. The director likes to quote a lot from Speedle
And using fast-paced elements along with a hand-held camera to set a frenetic pace once the action takes place. Not everyone will like it and some will feel nauseous trying to keep up with this hectic and hectic pace.
But, and this is an important “but”: Ambulance is Bay’s best film in a long time. Your opinion: BAY’s best movie in a long time. It does not mean that the Ambulance is the first team
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Achieved. But it offers two hours of entertaining action – without any big tricks or computer effects. One almost feels reminiscent of the present day self-proclaimed “best team in the world”, who are still playing in a few minor leagues before their big tour. Going back to the roots, back to the old school, hand-made action film, where most of the cold-formed fabric and the empty shell pile up on the asphalt, before Bay can do it.
Stage and brought the CGI mathematicians back to their feet. However, here he can focus on what he has described: the urgency to act in a limited space (relative to Transformers gigantism) and even being claustrophobic since entering the ambulance. It’s undeniably interesting and wonderfully organized, nothing to complain about. So even though there’s a lot of action in Ambulance, it’s also good to see Jake Gyllenhaal again. After Spider-Man: Far From Home, things went a little quiet around him until he was finally seen
(also a remake of a Danish film). However, every now and then he overdoes things with his acting. His brief reactions to Danny’s approach to his desperation and near-constant screams are deeply troubling. Speaking of disgusting: Bay wouldn’t be Bay if he didn’t feel good about putting together ridiculous follow-up shots, which were completely unnecessary and a sign of technical. Yes, these drones can do great things today. Okay (eye roll smiley not here). Perhaps the joke with Mastiff Bay “Nitro”, which appears in several pictures and always has to sit in a cramped car, is unnecessary. After more than 66 minutes, you can again (perhaps unknowingly) see Bay sitting in the back seat of a police car to control his 100 kg giant in the car. Some disturbing behavior; the absolutely senseless practices of ambulance driving that could have killed anyone who was seriously injured; complete ignorance of all morals (and not just) in the last five minutes of the film; A lot of good words and a very happy ending is something you have to accept. But if you hide it, you can be comforted.
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What would a Michael Bay film be without its iconic image? The answer is simple: not a Michael Bay movie. There is also the famous clear yellow look and very exposed areas – as you are used to from the director. Besides, it’s clear: the lens burns until the doctor comes. The use of high-quality and high-quality digital cameras gives Blu-ray a unique digital display that remains silent even in the darkest places. However, some close-ups look very clean and sleek. Now, the close-up face, but also the Kevlar coat, is very sharp and detailed. Nothing to complain about. Colors are also presented in a very rich and powerful way – except for yellow. However, here and there, compression artifacts are visible in the same area. Where the subtle noise from a digital camera is not reproduced in one mode (top left 109’45).
Universal is still one of the best providers when it comes to integrating Dolby Atmos for both languages. Top title providers often host 3D soundtracks in German and English. And it happened with the Ambulance again.
And even in normal situations, things really work, for example when the buses come in at minute 18 while the truck is passing through the tunnel. Once the heavy shots took over after about 30 minutes, the team made some exceptional shots (28’25). When the cars collide with each other at the speed of fast cars or when the ambulance is born as the king of drifting, it also cries a lot. Maybe a little pressure here and there (burst at 104’30). The score, unusual for a Bay film, is excellent, sending its electronic sound to the audience in places as murky as the scenery (27:48). The gunplay and MP are strong and the voices are always easy to understand despite the non-stop action.
If we look at the height level for us, the details come together well at the beginning and once the ambulance giving the title is on the road, you can hear its siren very briefly from above. Same with the flying helicopter and the screeching sound of the car crash at 6:00 minutes. The gate to the garage after more than eight minutes gives the next 3D sound, while another camera gimmick around 18-20 minutes gives an additional effect from above. The drill points in the 20th minute were good as the team entered the building and the elevator. From 28:24 there was a lot of shooting and Altitude was constantly improved with rebounds and side shots. For the next half an hour, it will be a bit quiet from the top as there are not many options left. However, the notes are always set at a height, which gives Ambulance an atmospheric sound reproduction. After more than 60 minutes, you can hear some helicopters in the air again and it is very hot at 85’20 when the snipers fire their projectiles.
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Bay is a tech geek and also works with high quality digital cameras. Unlike many others, he relies heavily on RED cameras, not ARRI. One is used
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