Update Best First Camera For Beginners Review – A good camera is one of the first things film students need when they start a filmmaking course, whether at university or after graduation. It doesn’t have to be the best movie camera out there as long as it does what it’s supposed to. The best filming camera for beginners and students seems to be one that offers all the features a beginner needs and is good enough to hold a course.
Also, it should be used even when the young filmmaker becomes an expert to be a useful tool at this stage as well. In this discussion, we will look at the best cameras for film students and what makes them the best choice.
Update Best First Camera For Beginners Review
The best cameras for film students combine a selection of features, including usability, performance, and durability. When filming, your equipment has to be extreme, which means it has to be tough and able to withstand knocks. Another issue is work. The features and capabilities of the camera must be easy to understand and control, ensuring that the student/filmmaker will have an easy time shooting with it.
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The features should be robust, and should be able to provide everything the filmmaker needs during the course and beyond. And don’t forget, students spend a lot of time with their camera and all the equipment so it should be comfortable to carry.
If you’re short on time our top two recommendations from this list are the Blackberry as our top pick, followed by the Panasonic GH5 II.
The first is the Nikon Z50, which is a mirrorless camera. The Nikon Z50 is one of the most affordable cameras you can use as a first-time filmmaker. Today DSLRs and mirrorless cameras are produced with advanced video capabilities. This makes these cameras ideal for first time filmmakers looking for something powerful yet affordable. The Z50 fits that description perfectly. At a price under $1000, combined with a standard 16-50mm zoom lens, you have a powerful camera in all rights and in a reasonable price range.
The first thing everyone looks for is image quality (okay, not everyone). But we will get to that soon. The Nikon Z50 is powered by a 20.9-MP APS-C CMOS sensor paired with an EXPEED 6 image processor.
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Let’s take a look at the camera’s unique video quality. You get 4K UHD at an average frame rate of 30fps. The camera uses a full-width sensor to record 4K video.
There is no 4K cinematic, so the aspect ratio expansion is missing. But you have to understand that this is a budget camera that is mainly focused on still shooting with some additional features for video capture. Full HD video can be recorded at an average frame rate of 120 fps. At that frame, you can do your slow motion B-rolls and do a series of dramatic effects that add to the overall beauty of the film.
I love the automatic focus function of the camera. It catches and locks every time without fail. Single point mode, Wide (S), Wide (L) mode, and Auto area mode. In automatic zone mode, you get a screen message.
This camera has a built-in time-lapse feature. You can shoot a time-lapse, and the camera will automatically give you 4K/UHD video of the time-lapse in the camera. This is a useful feature when shooting those B-rolls for short films or feature films.
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The camera’s built-in ISO range is 100-51200. The camera can work in a wide range of color settings and shoot impressive photos and videos.
One of the unique features of the Z50 is that it is a weather sealed unit. This means you can take this camera with you and shoot in harsh conditions without any problems.
That said, it must be said that the Z50 does not have built-in image editing. You get stability during video mode, but this is only digital adjustment. This means you need to get a good lens to make sure that the lens can shoot with optical adjustment. Speaking of which, the Z50 is compatible with most legacy lenses. So if you have an image-stabilized Nikkor lens that you want to use, you can do so with the Nikon Z50.
The Nikon Z6 II is a powerful camera in the right hands. Powered by a 24.5-MP FX-format BSI CMOS sensor and paired with a Dual EXPEED 6 image processor, this camera comes with a series of features specifically designed for video shooting. Let’s go through the features.
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The back-illuminated sensor ensures that still images and videos are clear even when working at high ISO numbers such as 25600.
Internally, the camera can record 8-bit 4:2:0 UHD 4K video at an average frame rate of 30 fps. The camera performs full pixel readout to shoot 4K/UHD video recording.
The camera has some advanced features, including N-Log gamma, to get that perfect profile when shooting video. This ensures that the camera can handle a wider dynamic range. In addition, the camera is capable of taking HDR photos.
You can use an external recorder. The camera can record at 4:2:2 10-Bit using an HDMI cable to an external recorder. Full HD video can be recorded at an average frame rate of 120 fps. This allows you to shoot videos in a higher frame rate and then play them in fast motion, which work as cinematic slow motion B-rolls or for special footage that can be used in your production.
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The Z6 II’s autofocus is very strong when capturing video and when shooting stills. Reliable subject tracking are two things that define how good autofocus is in real life, and in this regard, the Z6 II does not disappoint.
Panasonic GHX series cameras are always respected by photographers. GH4 has the following team; in this sense, the GH5 does not disappoint either.
Although I have to add that the Panasonic GH 5 II comes with a moderate price tag, you can choose between several packages, including the base, audio package, and cosmetic package, according to your needs.
The Panasonic Lumix GH5 comes with a 20.3-MP Digital Live MOS sensor. This is four thirds of the small sensor. The Venus Engine image processor is integrated with the sensor to handle low-light conditions and high-speed operation.
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This powerful camera can produce 10-bit 4:2:0 internally using an SD card at up to 60p or 4:2:2 at 30p. The sensor can record DCI/4K and UHD using all sensor components.
10-Bit gives you more flexibility when editing your video in the process. Now you can record unlimited videos using the camera and they are limited to the space in the memory card.
You also get V-Log L. This allows the camera to sync the image quality with other Panasonic cameras. Especially those who don’t have the solid range of the GH5 II and its profile.
A built-in stereo mic is also provided, which records high-quality audio. Alternatively, you can use an external stereo mic by plugging in a 3.5mm TRS stereo mic to ensure that your audio is crisp and noise-free.
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I’m not happy that Panasonic offers two SD card slots, which are UHS-II compliant. For some strange reason, they don’t offer an XQD card slot. This is the same as the old Mark I camera.
Built-in image stabilization system called Dual I.S. 2 integrates the camera’s motion sensor image stabilization system and combines that with lens-based image stabilization. This new image stabilization system is rated at 6.5 stops and does an impressive job of stabilizing motion during video shooting.
For those who want to continue saving files while shooting video, the GH5 II can output 4:2:2 10-bit using the HDMI connection while recording 4K 60p 4:2:0 10-bit internally.
A 26.1-MP BSI CMOS APS-C sensor powers the XT-4. It is equipped with an image processing engine X-Processor 4. The camera can shoot DCI / 4K video at 60 fps and full HD video at 240 fps. So, you can shoot at a higher frame rate for those slow motion effects and play the video at a normal frame rate.
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The camera has a base ISO of 160 which goes to 12800. The fact that the camera’s sensor is a BSI design means it has less low light than cameras without such a sensor.
One of the main differences between the old XT-3 and the new XT-4 is that the video mode now comes with picture stabilization. The 5-axis motion sensor ensures that the camera can capture still images while walking and shooting.
The random pixel arrangement of the XT-4 mimics the nature of film and produces vivid colors. The optical low-pass filter is removed. But instead of creating moire and false colors, the random array of pixels ensures that moire and aliasing are further prevented.
XT-4 comes with F-Log Gamma for capture
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